Gold Lustre

Wedgwood's (1880s) version of this body style is probably the best known and the most abundant of the Square Ridged varieties. Its popularity is attested by Red Cliff's reproduction of it in the 1960's. Johnson Brothers also made this shape but it is less plentiful.

Teh basic square shape is softened by a slight flare to the waist and the inward curve of the ribbing which extends to the bracket feet. The bracket handle is also slightly curved.

This body style is known for its fluted rim and bulbous waist. Its C-shaped handles are embossed with decorative additions giving it an elegant, regal stance. 

The Johnson Brothes became the proprietors of the J. W. Pankhurst potter works at Hanley in 1883. Thus, the same body styles may be found with either a late Pankhurst mark or the Johnson Brothers' arms mark.

Rosetta is a bulbous round body style with simple lines. The rosette embossing on the handles of hollowware pieces is characteristic of Johnson Brothers. It is also found on some Wedgwood products which are similarly styled. On Pankhurst hollowware pieces the finials may be mushroom shaped. 

A club named body style featuring a hexagonal footprint and bracketed handles with some bands impressed on the handle sides.

An ornate body style with much embossing by Glasgow pottery,

This is believed to be the body style name that Ford China company, of Ford City, Pennsylvania, marked its tea leaf wares with.  The body style is a fancy shape with a low waist, ear shaped handles that connect at the top of the neck and at the middle of the waist.  It includes an impressed medley of flowers and leaves.  The spout on pitchers is slightly elongated and the rim is heavily scalloped.

John Edwards was provileged to use the three-plumed feather insignia of the Prince of Whales in his trademark, evidence of a visit to the pottery by that emminent gentleman, the future Edward VII. Dare we assume that Mr. Edwards honored that visit by naming his feather embossed body style "Peerless" in honor of the Prince?

Note: The impressed mark of this potter-named body style does not contain the word "Shape."

Registered in 1887.

This late Corn body style sports faintly fluted corners on a body that is slighly bulbous. The embossing at the handle terminals resembles the flora of a forest floor. The twisted rope handle completes the rustic design.

Beribboned and bowed, this body style has beaded handles on tea set pieces and embossed stems and leaves flowing from the handle terminals. The same embossing is repeated on the lid. The gold lustre outlining the designs is completed with cloverleaf motifs.

Registered in 1878.