A bulbous body style with ribbing that covers the bottom portion of pieces in a "fan" or "shell" pattern.
Prize Bloom is a well named body style. It features blooms not only on the finial but on the spout and the looping handle.
With a profusion of copper lustre adorning the blooms, it is a delightful example of this potter's art.
Registered about 1853. Only tea sets are currently known in this body style.
The syndenham body style was introduced by T & R Boote in 1853. It achieved instant popularity and thus was copied widely. The three potters (Livesley and Powell, Anthony Shaw and Edward Walley) decorated their Wrapped Sydenham versions with a variety of treatments. Collectors will find traditional Tea Leaf (Shaw) , Scallops (Walley) and Lustre Band (Livesley & Powell) motifs. FInials may also vary - Shaw may have a bud finial ahile Walley feature an acorn finial. Patton also made wares in this body style.
This handsome body style includes embosing of vines and buttercup looking flowers. Pieces have a slightly flared spout that rises above the neck of pouring vessels.
The finial on this body style is a fig lying atop a bed of leaves. Pieces are decorated with thick copper banding.
This sturdy body style is smooth and round resembling an inflated balloon.
This body style was identified by a printed mark.
A smooth body with tapered base and vertically ribbed neck. The piece has large ear-shaped handles.
The Ionic body style features deep ribbing or grooves on the top part of the accessory pieces while the bottom half of these pieces are quite bulbous. The moss rose motiff with gold lustre were applied.
Tacoma was the name given to the Tea Leaf pieces - one of the five body styles of ironstone produced by Knowles, Taylor and Knowles. It has an oval or round footprint and an elyptical finial. Arched embossing is present on the sides of the ware.
A lovely body with an unusually tapered base - made to look even more tapered by veritical ribbing.
